2021 | 硬泡沫切割，铝，亚克力，电线，音箱，自制电路板，投影仪

作品基于对明朝传教士卜弥格步行去罗马的历史事件的研究展开，是一件通过声音音量来控制灯光强度变化的装置。作品中出现的人物形象是委拉斯贵支笔下的英诺森十世教宗，也是传教士卜弥格去往罗马的最终目的。艺术家在此突出光与光的紧张关系，灯光变强的同时投影的光便因光照而减弱，两者究其本质都是“光”，却呈现出相互对冲的状态。导致灯光变强的是投影中英诺森十世的呼喊，当声音到达最大的时候，他的形象也被灯光淹没…

2021|hard sponge, aluminum, acrylic, wire, speaker, self made circuit board, projector

The work is based on the historical event of the Ming Dynasty missionary Michel Boym(1612—1659) walking to Rome. It is an installation centered around light and sound. The voice of "Pope Innocent X" controls the brightness of a light bulb. The lamp gets brighter as the tone gets higher. When the Pope's voice reaches its loudest moment, his image will transform from the one painted by Diego Velázquez to the one painted by Francis Bacon, and his projection will be obscured by the brightest bulb until it disappears. I am interested in the tension between these two sources of light. As the bulb becomes brighter, the light emitted by the projector diminishes. Although both are "light" in nature, they present a state of mutual opposition and collision. It is the shouting of the characters in the projection that causes the bulb to become bright. The characters in the work are Pope Innocent X as depicted by Velázquez. Coincidentally, he was also the final destination of the missionary Boym's journey to Rome.