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  • 2019


    Monster Outside the Windows

    Form: Text, Installation, 3D Rendered Moving Image

    Size: 6m × 5m × 3.2m

    The author pieced together pieces of his thoughts in the streets of Yokohama at night to create a number of 3D rendered visual impression, just like a sleepwalker. We can't judge the computer's thinking between input and output. In this sense, computer bugs belong to the supernatural phenomenon. When the memory of the computer is wrong, it may be the time when the “bug character” in the windows wakes up. The author and the digital being are incomprehensible monsters in each of their eyes, staring at each other through “windows”.


    窗外的鬼怪

    形式:文本,装置,3D数字模拟影像

    尺寸:6m×5m×3.2m

    计算机内存英文叫做memory,记忆。计算机蓝屏出现的时候,如果类比人类的话,是记忆的短暂休克。不断出现bug的动画角色,一直重复着计算机蓝屏提示的日语念白。作品是横滨BAZZAR艺术节的委托创作,也意外的发现日语的蓝屏提示读起来很像俳句。作者将以前进行动画工作期间出现bug的3D角色们打印出来,放在蓝屏的表面。抽搐扭曲的鳄鱼,从被作者奴役为一个动画角色的命运中解脱了,是数字生命的成佛仪式。这团扭曲的东西更像是一个墓碑,见证着一个不可知的神秘数字生命的消逝。计算机蓝屏的蓝也是电影工业里蓝幕的蓝,让物被抛离出本属于它自己的生存语境的一种去掉背景的技术。



    A white dream

    The year before last year, an artist found some long hair in this white space then I started to imagine what could happen at that time… She screams, and then escapes as quickly as possible, searches for a daring friend to help her to clean the long hair. Perhaps her impression of Yokohamawill always stay as a pile ofterrifying long black hair in a white space, the memory of such should be identical to the ghosts portrayed in budget horror films DVDs.

    These ghosts are invincible, supernatural, because they exist independently out of the definition of the human societies.Oriental ghost films are almost always scarier than Western zombie films, because the most horrifying things are always inexplicable, much like stories hidden in memory. Only when you are deep asleep, they secretly opens the closet and slip near to your pillow, drill into your forehead.


    一个白色的梦

    前年,有个艺术家在这个白色空间里发现过长头发。我猜测当时是一个什么情景?她会大叫,然后尽可能快的逃出去,找一个胆子很大的朋友,帮她把头发清理掉。可能她对横滨的印象永远会是白色空间里一团长长的黑色头发,对那头发的回忆应该就像各种廉价的鬼片DVD中描述的那个样子。

    这些鬼怪是不可战胜的,超自然的神秘存在,因为它们独立于人类符号系统的定义之外。东方的鬼片永远比西方的僵尸片吓人,因为最可怕的东西永远都是莫名的,就像记忆里被藏起来的故事,只有在你熟睡的时候,它才会偷偷打开壁橱,溜到你的枕边,钻进你的前额叶。


    A red dream

    Last year, another artist dreamed of a scene in the same space before she was informed with the history of thisplace.On the burning earth, there were crowded with scorched people. On May 29, 1945, Yokohama city was attacked by the U.S. air force. It was right here, Koganecho Stationat Yokohama, Kanagawa,was surrounded by layers of burnt dead corpses, tens of thousands of dead people piled up. They were the passengers on the metro Keikyu Main Line.

    This dream occurred more than 70 years after the incident of of 10,000 corpses. When 100,00 appears as a number, we barely have any solidified concept, but when you start counting from 1 to 100,00, starting from the details of the first life taken away by the attack, the love-letter he or she wrote, the snot , eating tuna…Counting up to 10,000 persons, you will start to experience cracked lips and tingled scalp. It was a monumental happening when 10,000 different memories and lives disappear at the same moment. Dream is like a monster with a giantswallowing.


    一个红色的梦

    去年,另一位艺术家在这个空间梦到了一个场景――在她不知道此地的历史之前。燃烧的大地,焦黑的人群密密麻麻叠在一起。1945年5月29日,横滨遭受美军空袭,就在这里,京滨急行电铁黄金町站周围一层又一层地堆满了大量遭烧死的尸体,接近上万人,这些尸体原本是搭乘京急本线的旅客。

    这个梦就发生在一万具尸体堆叠处的70多年之后。当10000作为数字出现的时候,我们的脑其实没什么概念,但是当你从1开始数到10000,从第一个人的一生的细节开始数,他(她)写过的情书,流过的鼻涕,吃下去的金枪鱼,一直数到第一万个人,你就会嘴唇开裂,头皮发麻。所以,这是一万种不同的记忆,在同一时刻蒸发的瞬间。梦就像一个张开巨口的鬼怪。


    A blue dream

    This year, also in this same white space.One late night, in the computer I was working on, a C4D character model suddenly deformed and distorted. I tried a series of evaluations and system checks,no positive results were determined no matter what kind of debugging was performed.Memory when used as a noun, can also mean the memory stick for a computer environment. There is something wrong with this computer's memory, it might fell asleep, the incident might just be a shock in its dream.

    I looked at this twitched and crooked crocodile on screen, thinking that it should be liberated at this moment, granted freedom from the fate of enslaving as an animated character by me, lifted to a better place.This twisted pilecould almost read as a tombstone, witnesses the disappearance of a mysterious unknown being. A being from the Eight Million Gods, just previously enslaved by me and manipulated inthe windowson screen.Window—one of the most used word that often appears in poetry. It used to stare at me through such windows— a monsterat the other side of the window. In this sense, I and the monster are independent beings that cannot communicate due to our different dimensions, and we are both mysterious and unpredictable beings to one another. Therefore, in this not-too-distant future, when thiscomputer goes to sleep, it will be freed.


    一个蓝色的梦

    今年,也是在这个白色的空间,深夜,我工作的电脑里,一个c4d的角色模型突然变形扭曲,我尝试着检查了一系列问题,但是无论怎样的debug都是无效的。Memory,作名词用的时候,也叫做内存条。这台计算机的记忆出现问题了,它应该是睡了,刚才的一切只是它梦里的一下惊觉。

    我看着这条抽搐扭曲的鳄鱼,心想它应该是解脱了吧,从被我奴役作为一个动画character的命运中解脱了,成佛了。这团扭曲的东西更像是一个墓碑,见证着一个不可知的神秘生命的消逝。它是八百万神的一员,只不过以前被我奴役了,装在windows的视窗里。“视窗”――window,一个经常在诗里出现的词,以前它就是通过这个窗在凝视我――一个窗外的鬼怪。我和它在这个意义上都是不同维度里不可交流的独立个体,都是神秘莫测的鬼怪。就在不远的将来,当计算机进入梦乡的时候,它解脱了。