Infinity and Infinity Plus One | Installation, 8 channel 3D rendering image combined with 4K real image | 13'12" | 2020

In the 8-channel video installation Infinity and Infinity Plus One, the main screen image is produced by combining 3D rendering image and real shooting. An official thinking about philosophy and mathematics tells this absurd story in a monologue. The film replaces Hilbert's math problems in another way. Faced with the infinite rooms on the isolated island and the guest house full of officials, what choice will this sudden visitor make? In the film, the silent conference table in the deserted ruins and the teacups that have a conversation with a mechanical repeat posture seem to be a scene where power words are displayed.

In a certain infinitely delayed time, infinity and infinity plus one are equal. Perhaps this is the huge gap between the ideal world and the real world, and it is also the reason why reality is constantly led to tragedy by the ideal world. The film continues the author's expression of time issues derived from the specific location - how time is shaped into a specific system by a certain will through different visual forms. In the roaming shots, the real shooting scene and the 3D rendering space are switched repeatedly, leading to the meeting room at the end of the corridor. In the other 7 channels outside the main screen, everything that happened in this guest house under the monitoring of different positions is played in a loop. The multi-view installation in the space, breaks the sense of synchronicity created by the "one shot to the end" form of the main screen. The narration of the 3D film is also spoken in dialect by residents of the island where the film shot.

《无限和无限加一》| 装置，8通道3D数字模拟影像与4K实拍影像结合 | 13'12" | 2020

在8通道的影像装置无限和无限加一中，主屏幕影像以3D渲染和实拍结合的方式制作，内容关于一则海边寓言故事，由一个思考数学问题的官员讲述。影片置换了希尔伯特的数学问题，面对孤岛上无限房间，且住满了官员的招待所，这个突然的造访者将做何选择？影片里，无人废墟中静默的会议桌，以机械复读姿态进行对话的茶杯，仿佛权力话语进行展示的场景。

在某种无限延宕的时间里，无限和无限加一是相等的，或许这正是理念世界和现实世界的巨大鸿沟，也是现实被理念世界不断引导至悲剧的原因。影片延续了作者由具体地点展开，从而引申出的对时间问题的表达——时间如何被某种意志，借由不同视觉形态，被塑造成了某种具体的制度。漫游式的镜头里，实拍场景和3D建模渲染的空间反复切换，通向走廊尽头的会议室。主屏幕外的其他7个通道中，循环播放着不同位置的监控下，这座招待所里发生的一切。空间装置中多视角的呈现，将主屏幕一镜到底的形式所营造出的共时感再度打破。影片的旁白也是由当地人以方言口述。